Pathing and the Colorway to Success

Pathing is one of the most important elements to master in the process of digitizing. Quite simply, pathing means the order in which the design sews; what sews first and what sews second plus the progression of the design from first stitch to last. Efficient pathing is a design with the fewest trims possible and minimal color breaks. An optimal one color design would have only one trim which is at the end. This would mean that everything was planned or pathed so that all parts of the design were sewn without stopping. To do this, all stitches traveling between elements of the design are covered by the later parts of the stitching. The best way to start digitizing a logo, is to plan out the design in your head before you begin.

Along with pathing, color breaks go hand in hand. Generally, the design will need to be digitized from the background to the foreground so that elements of the design on top fall in front of parts that should be behind. The idea is to only visit each color of the design once if you can. (Some designs may require you to revisit colors later in the logo). A 3 color design that has 52 trims is a very poorly pathed design. Each trim is another possible thread break or pull out and slows the machine down. As an old boss of mine used to say, “We aren’t making money if the machine’s not running .”

The efficiency of an embroidery design is most apparent at the machine. If you are an embroiderer, it will be the first thing you notice and the first thing that will make you crazy if it’s not right. If the machine keeps stopping throughout an order making the job take longer, you may need to charge more for production. A poor design can make the job take 2 to 3 times longer.

If you’re a promotional products salesperson, the first thing that you’ll notice is how much hair your embroiderer is losing. This is where a quality digitizer breaks out front of the “cheap” pack. It’s great to pay only $25.00 for digitizing until your embroiderer has to charge you for editing and longer production times. Your embroiderer may even refuse to sew a design that’s really bad. If your embroiderer cringes every time you walk in the door, you may be using the wrong digitizer.

NeedleUp Digitizing is the “right digitizer”. We have the experience and knowledge to create consistently great designs that are beautiful and efficient at the machine making your run times minimal!

*****NeedleUp Digitizing is owned by Donna Lehmann. You can contact Donna by email: donna@needleup.com or call us at 303-287-6633 M-F. Visit our website for pictures of some of our recent work: www.needleup.com *****

Digitizing an Embroidery Design…..Sans Artwork

Customers come to me from time to time with a shirt from an old embroidery to digitize from. They either have lost the stitch file or can’t get the file from the previous embroiderer and their customer says they don’t have any art….so they’re giving us an old shirt. Now depending on the customer and the quality of the embroidery on the shirt, this could be a problem. Here’s why:

Remember, the customer doesn’t know how all this works. They just know they want more shirts and while they seem nonchalant about the design details at the beginning, rest assured they will closely scrutinize the design once you’ve done it. Save yourself some time, sweat and trouble by addressing the issues of the design before you begin.

The first thing I find out in this situation, is what they liked and disliked about the design on the garment….size, detail, colors, placement, everything. There’s no point in recreating the design exactly only to have them say they would like the font different or the shape of something changed. If they say they hated the whole thing (oh yes, it’s happened) press for artwork so you can start fresh.

You also should press for artwork if the shirt is distorted or warped in some way (like from multiple washings) and the design or lettering is crooked and puckered. It will take much more work to get everything straight without something straight to work from. Obviously, there had to be artwork somewhere, at some point, for the design to be done originally. Without artwork, the very fine details of the design are difficult to see and duplicate, especially from a poorly digitized design. 75% of the time, if you say you’re going to need artwork to move forward, they’ll magically be able to find it.

Conversely, I usually ask if the customer has had their logo digitized before. I’ve digitized designs from artwork only to have the customer tell me that it doesn’t look like the shirts they had previously done. Turns out the last design was either done from different artwork or was altered for the embroidery process in some way. Since I can’t recreate a design I haven’t seen, we have to start fresh, which wastes time and money.

Once you know what the customer really wants the final result to be, you can work accordingly, correcting your design to change the things they hated and recreating what they liked about it.

Customers still think what we do is somehow magical or that art gets fed into the computer and just squirts out a design on the other side. {Those are the $25 flat rate people :)} They don’t realize the technical knowledge it takes to program quality embroidery designs. It’s your job to guide them through the process and make sure they get what they want. Our job is to be in your corner and provide you with professional digitizing! Contact NeedleUp when you need stellar embroidery designs that enhance your efficiency.

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NeedleUp Digitizing LLC is owned and operated by Donna Lehmann, a 20yr veteran of the embroidery/digitizing industry. She can be reached at NeedleUp, donna@needleup.com or 303-287-6633 for digitizing, consultation and classes M-F.

Editing your Embroidery Machine Designs Properly

With regard to digitizing, ever wonder how stitch files work? The original file holding the digital information for the design is actually a master coded file with all sorts of info about everything from how close the stitches are (density) to color breaks, stitch angles, trim commands, pull compensation and many other codes that tell the embroidery machine what to do. This file is a condensed (wire-frame) master file in a format native to the software and can only be read by someone else with the same software. This file is not the file that is read by the embroidery machine.

The stitch file that sews the design on the machine is saved from that master file and is in an expanded format the machine can read. It carries no coded information and is merely a list of stitch points telling the needle where to sew.

For this reason, changes to the design should be made to the original master so the integrity of the design stays intact. Once the changes are made, the stitch file version of the design is rewritten.

All this explanation is to tell you that each time you make changes to a stitch file without going back to the master, the design deteriorates a bit when the embroidery software tries to recreate the codes upon opening the design up in the software. Some coding is invariably lost, even if you open the stitch file up in the same software it was created in. Over time, this results in poor embroidery. It’s always better to return to the original master file format to make changes or go back to the person who created the master for changes.

This is not to say that editing expanded stitch files is not possible, however, there will most likely be more editing and recoding needed to get quality results. As always, turn to a trusted digitizer with the skills to help you properly.

Do you have customers that would like to change/edit their embroidery files and you don't have the original? We do that! When you’re looking for a digitizer, call NeedleUp. We have over 20 years in the commercial embroidery business! 303-287-6633 NeedleUp Digitizing ©2002 A USA company