People ask about lettering all the time. Minimum sizing, font styles, keyboard vs.
digitized, are all valid questions. Here’s
a quick primer on machine embroidered text.
Most embroidery designs with lettering are company logos of
some sort, which is mostly what commercial embroiders do. Lettering is important because it carries the
pertinent information the client wants people to see, marketing the company
name and other business information.
I only use keyboard lettering if it is an exact match to the
design (or in the case of multiple names for personalizations) and even when I
do, I always have to edit or “clean” it to ensure that it will sew properly and
have correct pull compensation.* The rest of the time, it’s more effective to
digitize the lettering by hand. It almost takes more time to edit the “canned”*
text and the customer gets lettering that exactly matches their art.
That being said, customers will sometimes tell you what font
they want on their designs naming a print font they like. You should know that some embroidery fonts
are named the same as their print counterparts but many are not. Likewise, different embroidery softwares may
have different names for the same font.
Certainly, not all print fonts make good embroidery styles.
You should also know that not all embroidery softwares do a
great job on keyboard lettering. Many do not, therefore, you should understand
what good lettering looks like and how proper characters are pathed and formed
to determine if your software is creating letters correctly. No software is perfect which is why there
will always be things you will and should adjust. This is one place where it
becomes apparent that all embroidery softwares are not created equal and the
cream rises to the top. (IMHO Wilcom has dedicated more time and years of
experience in creating their algorithms for lettering and consequently has some
of the best keyboard lettering results on the market; Melco a close second. ) (and yes, I used the W
word and the M word in the same sentence)
You can purchased additional coded fonts to add to your keyboard
lettering from the manufacturer of your software. These have a specific
extension and are created to work with your software program. (You can also purchase stylized “fonts” online
which are really just separately digitized letters that can be used for monograms
or to spell words and names. Each letter
is a separate file and you must paste them together to do so)
When using keyboard fonts, follow the software creator’s
parameters for each font including size range and join method.* There is a
reason they give you that information; you’ll get much better results. Not all
fonts can sew effectively at a minimum size of ¼”
Remember, much about the way lettering sews has to do with
the fabric also. Nylons and twills can handle smaller text better than knits
and denims, sewing the exact same size and font. Be sure to use the correct
densities, underlay and traveling stitches for crisp letters.
In the end, “canned” fonts can save you time if you get
familiar with the ones in your software and understand their limitations. Oh,
and one last thing. Many softwares have a true type font conversion which
sounds great in theory but don’t bother. I haven’t seen one yet that didn't suck.
·
“Canned” fonts – slang for keyboard created,
pre-digitized coded text
·
Pull compensation – a setting related to
stitching that increases width to compensate for the pull of the fabric which
draws inward due to thread tension.
·
Join Method – how the software configures the
path of the letters and where the crossover stitch between letters will be.
Donna Lehmann has been in the commercial side of the
industry for 22 years. For more
information on NeedleUp’s Digitizing services, email Donna at donna@needleup.com or call 303-287-6633
for info and pricing. Visit www.needleup.com/gallery to see some of our most recent work.
