A COMMERCIAL MACHINE EMBROIDERY BLOG FOR THE INDUSTRY. If you really want to know how digitizing and machine embroidery works, (and not just see an advertisement) you're in the right place! Let's talk about production, digitizing and all things embroidery!
Monday, August 11, 2014
Is Embroidery Digitizing part of Colorado’s new moral dilemma?
Recently, Colorado passed some laws legalizing medical and recreational marijuana and we’re still figuring out, as a state, what it all means to local trade and living. Whether you are “for it” or “against it”, it affects everyone in some way or another and as a business owner, I’ve had to make some decisions myself.
Dispensaries in the metro area have popped up all over and, as businesses themselves, they are looking to market their shops and goods. This means that I’m getting calls asking whether I will do business with them to digitize their logos and help them find embroiderers.
You see, some embroidery companies refuse to do embroidery for or do business with, anyone selling marijuana, running dispensaries and/or paraphernalia shops, much like some of the banks and loans in town. Since they didn’t vote for the law and don’t agree with it, they turn those potential customers away even if it means losing a job. This is, of course, their prerogative… it IS their business.
For me, I’ve made my decision. (Just so you know, I’ve never smoked pot and I certainly didn’t vote for this law.) My business is embroidery, nothing more, nothing less. 95% of my jobs are corporate logos and I’ve very good at what I do. This issue has nothing to do with my feelings about the marijuana industry. I sell embroidery designs to customers that own businesses….period.
I’ve done designs for churches I wasn’t affiliated with, restaurants I haven’t (or wouldn’t) eat at, and political logos for people running for different offices on both sides. To me, refusing to digitize a customer’s logo because it’s for a pot dispensary is as stupid as refusing to digitize a logo for a bar because people shouldn’t drink. After all, they are both legal. For my business, that’s where the line is. You have to make the decision for yourself.
As far as embroidery, will you turn down a biker group because you don’t like them? A bar with a logo of a half naked woman? How about a meat packing plant because you’re a vegetarian?
It’s not my job to pass moral judgment. I do embroidery. That’s my job.
What do you think about this issue? Have you turned down jobs because of your beliefs?
Tuesday, October 15, 2013
Embroidery: Customer purchased vs customer supplied garments
Many embroiderers struggle with their pricing policies on
several levels. What should my margins be? What is my competition charging?
What garments/brands will I offer and what’s the most cost efficient way to get
them in and turned around for my customer?
Smaller embroider companies seem to be more willing to deal
with these issues and will charge more on the embroidery side to make up for
it. It’s up to you whether you want to accept customer supplied garments in your
business but if you do, here are a few things (in addition to the ones above)
that you want to consider making a few rules about in your shop:
Another often pondered dilemma is whether to accept garments
supplied by the customer for embroidery.
Many embroiderers struggle with this question and go back and forth,
especially when they hit a snag.
Many larger embroiderers simply won’t do this. The reasons
are many but the basics are:
·
Can’t make a profit on the garments if they are
supplied
·
Can’t control the quality (many customers buy
the cheapest they can find, which then effects the quality of the finished
embroidery)
·
Can’t replace a garment if the machine tears a
hole or otherwise damages it
·
Wreaks havoc with production - Many times
customers will bring a “laundry basket” of different garments in for a design
(or worse, many garments, all with different designs). Every garment sews
differently and consistent placement can be a struggle on multiple garments.
Production suffers and profit goes down.
Smaller embroider companies seem to be more willing to deal
with these issues and will charge more on the embroidery side to make up for
it. It’s up to you whether you want to accept customer supplied garments in your
business but if you do, here are a few things (in addition to the ones above)
that you want to consider making a few rules about in your shop:
·
Only accept clean, new garments….yes, customers
will try to bring you old (smelly) sweatshirts that haven’t been laundered or
team shirts that have already been worn (stained) for a few games. This makes
your equipment dirty, can pound dirt into your needle plates and leave residue
for your next orders making it difficult to keep other garments clean.
·
Make the customer sign a waiver acknowledging
that they understand that you cannot be held responsible for garment damages
and will not replace items. Some
embroiderers state a 2% or 3% waste policy on larger quantities. Make sure your
customer understands your policy. Believe me, it will not be profitable in any
way to spend time and money driving around town (away from your business) to
replace a customer’s garment at retail prices
just so they can save a few bucks by providing them to you.
·
Most embroiderers will refuse items that are irreplaceable
such as grandma’s quilt or heirloom handkerchiefs or baby christening gowns.
Also, items that are extremely expensive or leather items. Not many
embroiderers will sew a leather jacket back and punch hundreds of thousands of
holes into a good leather jacket that costs way more than the embroidery. All
it takes is one to tear a hole and all the profit from the job goes down the
drain.
·
Make sure you’re charging for your time to go
over multiple garment jobs with the customer about where the design location
will fall on the different garments and thread color differences between the
garment colors. Multiple garments usually means the design will need alternate
colorways on certain ones to insure the design shows well. Also go over the
garments with your customer and point out any flaws/stains so you aren’t blamed
for them.
If you want to allow customer supplied garments, try it for
a while and see how it goes for you. You may decide to re-evaluate your stance
at a later time. At any rate, make sure it’s profitable the way you’ve set it
up. We’ve all been there in one way or another, which is usually what
formulates the policy in your shop.
***********************
NeedleUp Digitizing LLC is owned and operated by Donna Lehmann, a 20yr veteran of the embroidery/digitizing industry. She can be reached at NeedleUp, donna@needleup.com or 303-287-6633 for digitizing, consultation and private classes M-F.
NeedleUp Digitizing LLC is owned and operated by Donna Lehmann, a 20yr veteran of the embroidery/digitizing industry. She can be reached at NeedleUp, donna@needleup.com or 303-287-6633 for digitizing, consultation and private classes M-F.
Monday, July 8, 2013
Embroidery Digitizing - Educating the Customer
A few months
ago, a promotional sales customer of mine (We’ll call her Sally) sent over a
design to digitize for her customer for an event they were having. If you’re in
the industry, you know the minute they say the word “event”, you have a rock
solid deadline.
Artwork was
sent over and discussed and digitizing began since we had limited time. The design involved a main event logo and two
sponsor logos and pricing had been quoted for such.

We had less
than a week to complete the digitizing, get approval, send the stitch file to
the embroiderer and complete the production. The problem was, Sally’s customer
kept changing the design; major graphic changes. Every time the design was completed,
it was sent for approval and came back with new art and changes. Sometimes
there would be two or three in a day. On the third day there was another issue with
one of the sponsors and they had been replaced so we had to add another design
into the fray. Each time a change was made, the stitch count would go up (of
course) and consequently the price of not only the digitizing but the
production estimate the embroiderer had given them….and the clock was ticking!
Now, we were
happy to make the changes but the customer was unhappy that editing fees were
incurred and the embroiderer no longer wanted to stick with the quote they had
given them for production…..understandable.
Sally just said, “Hey, that’s what they said they wanted.” But she never
took the time in the beginning to explain the process and that changing the
original art causes delays and editing fees. She didn’t even ask if this was
the final art before starting the digitizing. Sally’s customer just figured they’d
pay for whatever final design they ended up with and they expected the
embroiderer to stick with the quote they were given regardless of the changes
and final stitch count.

Had Sally
explained the process to her customer better, we could have avoided the confusion,
had no surprises and actually been more efficient getting her customer what
they wanted. Things worked out in the end, we comped some edits and Sally paid
for some also. We also worked to get the stitch count down on the design as
much as possible so the production wasn’t too high and working with the
embroiderer, we hit their event date. The customer was thrilled with their
shirts. All was successful.
It’s our job
as professionals to make the customer happy and we do it every day. But communication is essential to making
things go smoothly. Spend some time educating
your customer about the process so they’re not surprised by the costs of their
embroidery. If they’re still in the planning stages, explain to them that
making major graphic changes to the design after digitizing only makes their
costs go up. Changes they are making to the art need to happen at the graphic
stage before digitizing.
After all,
if you educate your customer, their order goes smoother, they understand what
to expect and they’ll likely return because you made it work!
Of course,
sometimes these things happen and can’t be helped. This is why a relationship
with a good digitizing firm makes all the difference. Someone who is readily
available to you and can roll with the changes so you can still meet your
deadline. NeedleUp Digitizing is that company.
It should
also be noted that like most good digitizers, NeedleUp includes small edits and
changes in the design process. Things like trims, color breaks, small text
& coding changes and adjustments for sew-ability are all part of getting
the customer a design they will love.
Monday, June 3, 2013
Embroidery Digitizing - The Learning Curve
Think back. You’re at
the embroidery show or in the sales office looking at purchasing your first
embroidery machine and software. You’ve
done your homework on the internet checking different software capabilities and
machine options. The sales person is
telling you how profitable and easy the embroidery business is and you’re
nervous because this is a lot of money and you don’t know much about the
industry. Even if you have some experience with the embroidery (in one way or
another) you have no idea how to digitize a design. Sales people will tell you that you can learn
as you go, but in the meantime, the easy stuff can be auto-digitized in the
software and if you come across something more difficult, there are many places
you can send the design out to and get it digitized.
Any of this sounding familiar? Yea, I thought so. I’ve been there. Not as the sales person or
the customer but standing behind you at the show/in the showroom listening to
what the sales people are telling potential customers. They don’t want to tell
you anything overwhelming and scare you away so they say that it’s a simple
thing of taking the art, running it through the software to create a stitch
file, loading it into the machine, hooping the garment and selecting the thread
colors. Then hit a few buttons and you’re literally “in business”! I
realize they are just doing their job but I’m going to tell you the truth.
The learning curve for running a successful embroidery
business is substantial. The learning curve for understanding the process of
purchasing quality digitizing is big. The learning curve for mastering
digitizing yourself is huge! This is why most embroidery companies purchase
their digitizing or hire a digitizer on staff. You have to be pretty big to have
an on staff, full time digitizer, so today I’m just going to talk about
purchasing your designs.
Yes, there is a
learning curve to purchasing your custom embroidery designs: Your objective is to get the best quality at the most cost
effective price in order to maximize your profit margin. Does that mean, just
getting the digitizing as cheap as possible?
The short answer is “NO”.
Whatever your reason for getting into the embroidery
business is, you must provide your customers with consistent service and quality
they will come back for or, quite simply, they won’t come back, and you won’t have
a profit margin to worry about.
Remember, you’re going to pass the digitizing cost along to
your customer so this is not a production cost to you. However, if you’re
simply buying your digitizing based on the lowest price, you’ll find there ARE
hidden costs to you associated with this practice that will compromise
your quality and service to your customers. Those include:
1.
Delivery time problems - when you have to have
the design either redone or reedited multiple times to get it right pushing
your job finish time back
2.
More fees later - Paying another digitizer to
fix the design so it’s usable or companies that a-la-carte you to death on
edits and second version sizes.
3.
Poor production times – the machine doesn’t sew
the jobs efficiently due to poor pathing, unneeded color breaks and trims on
the digitizing, driving up production time so much that it actually costs you
money to do the job (see also #1)
4.
Customer satisfaction – No matter the machine,
if the digitizing isn’t quality, you can’t turn out quality designs you’re
proud to put your company’s name on. If you can’t get the job to them when
promised, they will lose faith in your abilities. You’re trying to build and
retain customers; do you really want to take chances with crummy, slow results?
5.
Poor communication with the digitizer – If you
cannot talk to a live person about your design (or communicate with them
because of a language barrier or time difference) it’s a waste of your time.
I’ve been doing this a very long time, and when the design elements require
adjusting for “sew-ability” or your customer requests changes to a design (and
this happens all the time), you need to be able to discuss this with the person
doing the punching. You can’t do that with a website.
6.
Inconsistent quality – Low/Cut rate digitizing
companies have many digitizers on staff. It’s a draw which one will be given
your design to work on each time and you can’t speak to them directly so one
time the design may be OK and the next horrible. They may be using
auto-digitizing softwares that don’t work well, inexperienced digitizers and many
times they don’t even sew out the designs they’re creating before sending them
on to you. (Caveat: Just because a company says they’ve been in business,
digitizing for 20 yrs, does NOT mean that the actual person doing your
work has been digitizing for that long). You DO get what you pay for!
I cannot stress enough how important it is to build a
relationship with a reputable digitizer who you can talk to directly. One that
you can trust to give you reasonable pricing, consistent quality from years of
experience, and someone who understands production, pathing and the need to sew
out every design for quality before sending it to you. You need a digitizer who offers personal
attention and makes you look good with every job you do for your customers.*****************
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